Times

The artwork is presented as an abstract collage, in which the dialogue between form and matter is articulated through a clever combination of rectangles with contrasting colors and textures. The composition is dominated by shades of red, white and beige, creating a visual tension between smooth surfaces and deliberately eroded areas, which suggest a temporal and almost archaeological dimension.

Red, the central element of the work, imposes itself with its expressive force, interrupted by more neutral areas that seem to want to balance the pulsating energy of the composition. The irregularity of the arrangement and the material treatment give the creation a sense of dynamism, where each visual fragment tells its own story, made of changes and imperfections. The contrast between intact surfaces and sections marked by time invites the observer to reflect on the transience of matter and the aesthetics of the unfinished, transforming the painting into a sort of metaphor of memory and transformation.

The work thus fits into the tradition of abstract avant-gardes, evoking elements of décollage and informal art, without ever renouncing its own uniqueness. Through a powerful and layered visual language, the artist invites the observer to question the beauty that resides in the traces of time and the imperfections of matter.